Older Cults and Their Ritualistic Makeup

  October 09, 2021   Read time 6 min
Older Cults and Their Ritualistic Makeup
Toward the end of the dark age, trade revived in the Aegean. The aristocrats needed iron for their weapons and armor, and luxury goods to flaunt in their rivals' faces.

Their first trading partners were Canaanites from the northern coastal cities, whom the Greeks called Phoenicians because they had the monopoly on the only colorfast purple (phoinix) dye in antiquity. At first the Greeks had resented the Phoenicians, whose culture was far more sophisticated than their own. But by the ninth century, they had begun to work creatively together. The Phoenicians established a base in Cyprus, and Phoenician craftsmen came to work in Athens, Rhodes, and Crete. Phoenician colonists began to open up the western Mediterranean, and in 814 they established Carthage on the north African coast. They showed the Greeks the mercantile potential of the sea, and the Greeks began to make new foreign contacts in Syria. In the late ninth century, Phoenicians, Cypriots, and Greeks founded the commercial center of AI-Min a at the mouth of the river Orontes, which traded slaves and silver in return for iron, metalwork, ivories, and fabric.

Greece was coming back to life, but the people remained in a spiritual limbo. A few elements of the old Minoan and Mycenaean cults remained: there was, for example, a sacred olive tree on the Acropolis. But the thirteenth-century crisis had shattered the old faith. The Greeks had watched their world collapse, and the trauma had changed them. The Minoan frescoes had been confident and luminous; the men, women, and animals depicted had been expectant and hopeful. There were apparitions of goddesses in flowery meadows, dancing, and joy. But by the ninth century, Greek religion was pessimistic and uncanny, its gods dangerous, cruel, and arbitrary. In time, the Greeks would achieve a civilization of dazzling brilliance, but they never lost their sense of tragedy, and this would be one of their most important religious contributions to the Axial Age. Their rituals and myths would always hint at the unspeakable and the forbidden, at horrible events happening offstage, just out of sight, and usually at night. They experienced the sacred in catastrophe, when life was turned inexplicably upside down, in the breaking of taboos, and when the boundaries that kept society and individuals sane were suddenly torn asunder.

We can see this dark vision in the terrifying story of the birth of the Greek gods. In the Greek world, there was no benevolent creator god and no divine order at the beginning of time but only relentless hatred and conflict. At first, it was said, there had been two primal powers: Chaos and Gaia (Earth). They were too hostile to procreate, so they generated their offspring independently. Gaia produced Uranus (Heaven), the Sky God, and then gave birth to the seas, rivers, hills, and mountains of our World. Then Gaia and Uranus lay together, and Gaia gave birth to six sons and six daughters. These were the Titans, the first race of gods.

But Uranus hated his children, and forced all twelve of them back into Gaia's womb the minute they were born. Eventually, in agony, Gaia begged her children for help, but only Cronus, her youngest son, had the courage to do as she asked. Crouched in his mother's womb, he lay in wait for his father, armed with a sickle, and the next time Uranus penetrated Gaia, he cut offhis genitals and threw them to the earth. High Gods were often overthrown by their more dynamic children, but few myths make the primordial struggle as perverse as this. Cronus was now the chief god, and he released his brothers and sisters from the depths of Earth. They lllated with one another to produce a second generation of Titans, which included Atlas, who supported the earth on his shoulders, and Prometheus, who stole fire from heaven and gave it to human beings.

Instead oflearning from the horror of the past, however, Cronus was as tyrannical as his father. He married his sister Rhea, who gave birth to five children-the second race of gods: Hester (guardian of the sacred hearth), Demeter (goddess of grain), Hera (patron of marriage), Hades (lord of the underworld), and Poseidon (god of the sea). But Cronus had been told that one of his children would supplant him, so he swallowed each infant immediately after its birth. Pregnant with her sixth child, Rhea turned to her mother, Gaia, in desperation, and when baby Zeus was born, Gaia hid him on the island of Crete, while Rhea presented Cronus with a stone, wrapped in swaddling clothes, which he duly swallowed, without noticing anything amiss. When Zeus grew up, he forced his father to disgorge his brothers and sisters, and the family took up residence on Mount Olympus. Cronus tried to fight back. For ten years he and some of the other Titans waged war on the Olympians, in a battle that shook the cosmos to its foundations, until Zeus achieved the final victory, and imprisoned his father and those Titans who had supported him in Tartarus, a dark and horrible region in the depths of the earth.

Meanwhile, Chaos, the second primal power, had generated his own terrifYing offspring: Erebus (the "Dark Place," in the deepest recesses of the earth) and Night. Night then produced a brood of daughters, who included the Fates (Moirai), the Death Spirits (Keres), and the three Furies (Erinyes).' The Erinyes were particularly frightening; the Greeks imagined them as repellent hags, wreathed in snakes, crawling on all fours to scent their prey, whining and howling like dogs. One myth says that they were born from the drops of blood that fell upon the earth when Cronus hacked off Uranus's genitals. So they were older than the Olympians, and family violence was inscribed into their very being.

These chthonian powers, who lived in the depths of earth, dominated Greek religion during the dark age. In the ninth century, people believed that it was they, not the Olympians, who ruled the cosmos. As a later poet explained, these dark gods "tracked down the sins of men and gods, and never cease from awful rage until they give the sinner punishment,"'s because a single atrocity against one's kin violated the entire social order. As Uranus, Cronus, and Zeus were all guilty of horrendous family crime, the chthonian gods represented, as it were, the shadow side of the Olympians. Once activated, their power worked automatically and could not be recalled. As soon as a victim cursed his assailant and cried aloud for vengeance, the Erinyes were released and hounded the transgressor like a pack of wild dogs, until he atoned for his sin by a violent, horrible death.


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